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Information theory in aesthetics.

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"A History of Artificially Intelligent Architecture: Case Studies from the USA, UK, Europe and Japan, 1949-1987 provides a comprehensive survey of architectural projects exhibiting intelligence since the Late First Century right up to the present day. Tracing the social, scientific and technological developments, this book analyses case studies from both conceived and executed architectural projects by Architects and Cyberneticians from the United States, United Kingdom, Europe and Japan from 1949-87. From the Late First Century through to the Seventeenth Century, the scientific endeavors of the Hero of Alexandria, Ramon Llull, Paracelsus, Rene´ Descartes, Jacques de Vaucanson, Pierre Jacquet-Droz, and Charles Babbage have been presented in which they attempted to review, analyse and conclude the notion of artificial intelligence. Coming to the Twenty-First Century and witnessing a period, particularly from 1949-87, where nothing had been constant, Architects and Cyberneticians whose architectural projects attempted to simulate intelligence include Cedric Price, Richard Saul Wurman, Nicholas Negroponte, Kenzo Tange, Arata Isozaki, Charles Eames, Ezra D. Ehrenkrantz, Richard Rogers, Renzo Piano, and Gordon Pask respectively. This book asks: How have Polymaths, Architects and Cyberneticians simulated artificial intelligence in their scientific/architectural projects? Is it possible to define intelligence purely based on the history of architecture? Or, on a more extensive level, is it possible to view artificial intelligence originating from the history of architecture instead of computational paradigm? The transdisciplinarity of the book makes it of interest to researchers and students of technologically advanced architecture's history, theory, and criticism, artificial intelligence, cybernetics, information and communications, urban and sustainable design, ergonomics, computer applications, and digital design and fabrication"-- Provided by publisher.

ARCHITECTURE / Design & Drafting. --- Architecture Philosophy. --- Information theory in aesthetics.

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Im Verhältnis zwischen westlicher und japanischer bzw. ostasiatischer Medienkultur gibt es sowohl prinzipielle Probleme der Übersetzung und Übersetzbarkeit von Kulturen als auch besondere Aspekte in der Beziehung von Schrift und Bild. Gerade letztere ist für den Vergleich der europäischen und sino-japanischen Kultur besonders spannend. Text-Bild-Vergleiche zwischen Europa und Japan sind generell dadurch charakterisiert, dass in Europa die Abgrenzung von Text und Bild stärker betont wird als in Japan. Fließende Übergänge kennzeichnen eine zentrale Rolle der japanischen Kultur. Die japanische Schrift hat einen höheren Grad an Visualtität und Ikonozität. In der Gegenüberstellung der Lessingschen Unterscheidung von Poesie und Malerei einerseits und dem ideographischen Schriftsystem in der sino-japanischen Kultur andererseits lässt sich das besonders gut verdeutlichen.

Literature --- Information theory in aesthetics. --- Japanese language --- Philosophy. --- Translating.

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Poetry. --- Information theory in aesthetics. --- Information theory in aesthetics. --- Poetry. --- Lyrik. --- Hölderlin, Friedrich, --- Hölderlin, Friedrich, --- Hölderlin, Friedrich. --- Hölderlin, Friedrich, --- Geschichte 1798-1805. --- Geschichte 1798-1805.

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Information theory in aesthetics --- Théorie de l'information en esthétique